headstone

my body
is a graveyard.

the bruises are fading
the nail marks have healed
but they were only gravestones anyway,

marking the places
you had whispered into my skin.

a lot of words
floating like smoke
from the coke can you passed me.

fogging up my head
like the words
that crawled beneath
the gravestones
you placed

beside my hips
beneath my collarbone
between my thighs.

the markers have faded
but the words are still there

light as smoke
from a coke can:

youre so beautiful.
rest in peace.

--erin

My body (or: a year and a half later)

(x)

from my skin:

keep me to yourself
stop letting them scratch me
pinch me
slap me
touch me
stop letting them touch me
stop letting them fucking touch me

from my brain:

you smell like him
you smell like cheap cologne
your puffy eyes are your own fault
you couldnt keep yourself to yourself
you didnt ask him to stay
you didnt want him to stay
you said its what you wanted
its not his fault
he doesnt know
that there are pieces to pick up now
you can still taste him in your mouth
you dont even know his name

from my bones:

its your fault i feel bruised
its your fault
you asked for it
everything he did you asked for
its not his fault you regret it
you asked for the backseat of his car
he gave it to you
he gave it to you
you asked him to touch you
he gave it to you

from my heart:

i thought i told you to listen to me
you ignored me when i told you
not to do this


--erin

astral projections

i can almost feel your hand over mine

and i don't mind

i can almost feel your breath on my neck
and i don't mind

i can almost feel my feet pressing into your sheets
and i don't mind

i can almost feel your teeth pulling at my lips
and i don't mind

i can almost feel my heart beating into your skin
and i don't mind

i can almost feel your empty words tangling in my hair
and i don't mind

i can almost feel the bruises on my hips
and i don't mind

i can almost feel your fingers on my throat
and i don't mind

i can almost feel you killing me
and i don't mind

and i should mind

and i don't mind


--erin

i go outside sometimes partie deux

there are rivers underneath my skin
moving past the rocks in my chest
and smoothing out the branches of my spine
that dip into the current.

there's a set of footprints on my palm
jumping from head to heart
line
but avoiding my life
line.

clear skies in clear eyes
follow gaps between fingers
follow gaps between teeth
follow gaps between hearts
follow gaps between thighs.

there are trees growing from my fingertips
and the still branches taught me about love
and how to feel what my eyes can't see.

roses fall into place
between leaves and thorns
and hands fall into place
between rivers and trees

and the cool palm on my shoulder
breathes into the breeze
telling me to keep drawing cassiopeia on my arm
even if i can't find her throne in the sky.

i'm still watching for the moon,
letting her pull me with the tide,
washing my rivers into the oceans
and teaching me about the clouds
that hold me as i fall asleep.


--erin

cyclical

my bones felt like glass,
but they haven't broken yet,

and
her eyes are growing
and shrinking
along with the moon

and
her lungs are growing
and shrinking
along with the moon

and
her faith is growing
and shrinking
along with the moon

and
my bones are made of plastic.

i can beat
and
i can breathe

while she grows
and shrinks
along with the moon.

she thinks her bones are made of glass
and she thinks she is the moon,
but she hasn't broken yet.

i haven't broken yet.


--erin

sometimes, when you are a man

i'm forgetting my soul at the bottom of a purse
with red lipstick and a grey notebook
that's quiet enough to make me wonder
what it would say if i got around
to opening it.

my thoughts slide back down into a pile of
"gothic cathedrals tend to have rib vaults
and pointed arches.
romanesque cathedrals usually have groin vaults
and rounded arches."
"lady macbeth goes crazy because she focuses so hard
on distinguishing imagination from reality
that when her imagination becomes her reality
she doesn't realize it."
"i hate myself for loving you.
and by you i mean 5 seconds of summer.
i swear.
all my indie street cred is out the window."
"hitchcock usually gets credit for creating the accordian zoom
because of his application of it in vertigo.
this is significant because it is used a means
of character development and revelation."
and it all gets lost.

i'm drawing in the chipped parts of my
black fingernails like they'll redeem me.
it doesn't mean anything.
it doesn't mean anything.

i'm used to holding myself together like the arms
around my torso can keep the world
from falling.
my arms are around my torso but the world
is falling.


--erin



you wear stretchy pants in your room.
it's for fun.

a girl on my floor is engaged and i haven't even had a boyfriend but this mostly doesn't have anything to do with that.

my bookshelf is overflowing with good intentions
and my eyes are overflowing with misperceptions
and my mind is telling me to pay attention
and my heart is telling me about imperfection

because i'm watching with shaking hands.
i'm asking if i understand.
i'm learning about myself and
and i'm learning that i'm made of sand.

and i'm a sand girl
with a sand castle
and the ocean is brushing my hair out of my face
like mama always did,

with her fingers slotting through the strands.
with my fingers slotting through the sands.
and you can tell my mind it's supposed to expand,
but it'll tell you about my hands
and how they aren't as soft as they're supposed to be.

my thoughts are written out on my ribcage
and my skin is as quiet as a blank page
"you'll understand when you're older" isn't a stage
and they'll tell me to act my age,
but i'm falling asleep to the lullaby that played when i turned the key.

sand girls and boys
line up and down the road
and we're asking what we're doing.
we're older.
we're wiser.
we'll lie to our sisters when they ask us,

because they'll understand when they're older.
they'll understand when they're colder.
they'll understand when their shoulder
shrugs off the questions of their sisters.

because my bookshelf is overflowing with good intentions,
and my eyes are overflowing with misperceptions
and the wind is taking me apart as i get older.
the wind is taking me apart as i get colder.
the wind is taking me apart and my hands aren't as soft as they used to be.
and the wind is taking me apart as i get older.


--erin

growth hormones

(sometimes i feel hidden.
lights only reach my outside.)
[i guess that's true.
is that a good thing?]
(i'm wearing a mask.
just like everyone else.)
[literally or figuratively?
because you look the same to me.]
(it doesn't even look like me.
smiles that bright hurt my eyes.)
[i think you have a lovely smile.
what doesn't look like you?]
(this mask is warm.
melting everything.)
[i don't understand.
please elaborate.]
(i have a problem.
it's about melting.)
[okay.
what about melting?]
(what happens
when i melt away?)
[i expect you'll be warmer.
melting hearts are generally regarded as good.]
(i think i'm water.
ice melts into water.)
[that's true.
there will be a puddle at your feet.]
(no.
i think i might be the puddle.)
[what do you mean?
i don't understand.]
(you wouldn't.
i don't.)
[again, what do you mean?
please elaborate.]
(your heart is frozen in ice.
my heart is frozen ice.)
[what?]


--erin

wanderinglusting

(origin: this was "ode to summertime insomnia" and then i revised it over the summer so that i could read it at sfys. original is here. i just thought you guys might want to read the slam version of it.)

darling,
i came to tell you that
the days will become longer than our legs and the nights will belong more to laughter than to heavy eyelids.

and we can roast our hearts over the campfire, 

but they'll never understand why we fear obscurity more than death.

the stars read our tears and they tell us that wanderlust was always a myth.

and i can tell you that we'll all find polaris eventually

but you'll know that north may never be the way home,

and i'll know that home is only where the heart is until it gets sick of our indecision.

but it's okay.
it's okay, sweetheart, because we'll go south and southwest.
we'll go to the places that no one cares enough to dream about
because we'll know that they're ours. 

we can make new dreams
and create magic in the sand.

we'll paint with our hearts
because we believe in the forgotten.

so let's make our souls out of sea glass
and laugh when they don't understand

why we call them beautiful.

we've never been decisive about what comes next, but it doesn't matter.
our feet have minds of their own, anyway.

and i know.
i know that certainty lies in bed with confusion, 

but i know that their skin never touches while the world calls our tongues unstable.

so, ask more questions and get fewer answers.
i'll call it serendipity
because you've always loved simplicity.

and i know it hurts, dear.
i know it hurts,
because i can feel it.

so tell santa claus your desires, because he'll never laugh at the five-year-old's questions
and he'll never get tired of you asking for a bandaid for your heart.

it'll heal, sweetie. 
you'll heal,

because the stars still shine when there are clouds

and your heart still sings when it's broken.

you inhale truth like a child, 
and that's okay.

you only expel CO2 and a wish for the genie you never believed would grant it, 
but that's okay, too.

i'm telling you now, because i wish that someone had told me

that the clouds will never be obsolete 
and all you've ever wanted was to fly.

but, love, i'm no romantic,

and dreams are for the peaceful,

so enjoy them for me while you can.

please, please, please,

enjoy them while you can.

--erin

runaway is one word run away is two words

when i was little, i tried to run away.
i just wanted someone to ask me where i was going.

no one did.
i wasn't sure, myself.

now everyone is asking where i'm going
and i'm not sure, myself.

i'm asking where i'm going
and i'm not sure, myself.

i used to hold onto faith like it was the life preserver
and now it's becoming the water.

the leaves are falling without my tears
and i can't decide if that's a good thing or not.

questions are calling out from underneath my bed
and they don't know if they want answers

or if they just want to see me break.
i'm not sure, myself.

i don't know when it became so important,
but i just want to know how many coffins

have bloodstains.
i'm not sure, myself.

it's like something is screaming at me,
asking where i belong.

it might be me or my head or my heart
but they are sure things and i

am not

and i can't answer
because i'm not sure where the choices ended

and the expectations began.
the water i'm falling into

is either trying to carry me or drown me.
it isn't sure, itself.

i used to walk the line between right and wrong.
i walked it for so long that i didn't notice

that there was no line.
i'm sure of that, myself.

i've been staring at the stars,
asking them what my name was supposed to be,

and watching the red on my sleeve that my heart left
after it crawled back into my chest.

i've been asking the stars how many coffins have bloodstains.
they aren't sure, themselves.



--erin

live like alphaville

reaching for words that faded with the firelight

forgetting my own expectations like

the balloons i didn't tie to my wrists


i feel it all

every swipe of purple lipstick

every space between my fingertips

every heartbeat ringing in my ear

especially the right one

the one with the sweet nothings

and the smiles you had to hear to believe


hearts beating

always beating

heads beating

always beating


never gets old

never getting old


always eighteen

always scraping my knees

always rolling the windows down

keep the music loud and the laughs louder


because

i am vital

alive




because

peter pan's got nothing on me.



--erin